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Artist Development Program
Week 1: Goal Setting
How to use the Program
Introducing the Program
Introduction to Ableton Live (15:59)
Introduction to Goal Setting & Extensive Research
Goal Setting: Types of Goals & Working SMARTER
Goal Setting: Getting Started
Assignment
Case Study: Hybrasil Top 5 Studio Tips
Week 2: Kick Drum Production
Introduction
Recommended Samples
Masterclass: Kick Drum Production (37:23)
Assignment
Week 3: Rhythm Programming & Production
Introduction
Masterclass: Rhythm Programming & Production (40:32)
Assignment
Week 4: Hi Hats Production & Programming
Introduction
Masterclass: Hi Hat Production, Synthesis & Groove Templates (35:27)
Assignment
Week 5: Introduction to Synthesis & Operator
Introduction
Masterclass Theory: Synthesis (9:50)
Masterclass Practical: Synthesis & Operator (13:52)
Assignment
Case Study: Chris Liebing Studio Talk
Week 6: Operator, Advanced Synthesis & Bass Lines
Introduction
Masterclass: FM, Additive & Subtractive Synthesis with Operator (16:50)
Masterclass: Synthesis & Creating Bass lines (20:12)
Masterclass: Bass Production & Processing (18:22)
Assignment
Week 7: Bass Line Programming, Synth Leads & FX
Introduction
Masterclass: Bass Line Programming (13:36)
Masterclass: Creating Synth Leads & Synthetic Layers (17:52)
Masterclass: Synth Processing & FX (11:19)
Assigment
Week 8: Drum Synthesis
Introduction
Masterclass: Kick Drum Synthesis (8:13)
Masterclass: Snare Drum & Clap Synthesis (14:44)
Masterclass: Hi Hat & Percussion Synthesis (13:18)
Masterclass: Processing & Production (12:52)
Elevator Interview with Surgeon (7:45)
Assignment
Week 9: Wavetable Synth
Introduction
Masterclass: Wavetable Synth (17:34)
Masterclass: Wavetable in action (12:22)
Case Study: Laurent Garnier - a life in electronic music
Assignment
Week 10: Native Instruments & KOMPLETE START
Introducing KOMPLETE START & KOMPLETE KONTROL
Masterclass: Getting STARTed with KOMPLETE KONTROL (12:49)
Masterclass: REAKTOR Player (10:19)
Masterclass: Processing with Supercharger (8:17)
Recommended Product: MASCHINE MIKRO
Recommended Product: KOMPLETE KONTROL M32
Assignment
Week 11: Warping Audio & Creative Sampling
Introduction
Masterclass: Introduction to Audio Warping (8:15)
Masterclass: Beat Slicing & Drum Sampling (14:43)
Masterclass: Sampling Synths, Tones & Textures (10:00)
Assignment
Case Study: Jeff Mills & the world of orchestra
Week 12: Ableton Sampler Instruments
Introduction
Masterclass: Ableton Simpler (5:28)
Masterclass: Ableton Sampler (20:05)
Assignment
Week 13: Audio & MIDI Effects
Introduction
Masterclass: Drum Racks, Macros & Audio Effects (6:25)
Masterclass: Audio Effect Rack (12:24)
Masterclass: MIDI Effects (18:50)
Assignment
Week 14: Max for Live Instruments
Introduction (1:39)
Masterclass: Max for Live Drums (18:45)
Masterclass: Getting started with Max For Live Instruments (17:45)
Assignment
Case Study: Eddie Fowlkes Studio Talk
Week 15: Granular Synthesis & Max For Live MIDI Sequencing
Introducing Granular Synthesis
Artist Profile: Robert Henke aka Monolake
Masterclass: Granulator II by Robert Henke (19:05)
Masterclass: Max For Live Drum Sequencing (13:38)
Masterclass: Max For Live Probability Pack (17:16)
Assignment
Recommended: Nebulae Module & Free Samples
Week 16: Introduction to Music Theory & Max for Live Applications
Introduction (4:06)
Masterclass: Major & Minor Scales (8:48)
Masterclass: Major & Minor Chords (11:47)
Masterclass: Theory in action with MIDI Effects (13:05)
Masterclass: Theory in action with Schwarzenator II (5:43)
Assignment
Week 17: The Elevator Philosophy & Preparing for Arrangement
The Elevator Philisophy (6:47)
Masterclass: Drums (10:48)
Masterclass: Effect Racks, Processing & Adding Percussion (9:41)
Masterclass: Synths, Bass, Leads (14:36)
Masterclass: Vocoder, Granulator II & Max for Live Audio Effects (11:30)
Masterclass: Send & Return Effects (9:42)
Assignment
Week 18: Arrangement
Introduction (0:48)
Masterclass: Pre Arrangement (13:13)
Masterclass: Arrangement with Clip View (14:50)
Masterclass: Recording & Sequencing (14:05)
Assignment
Week 19: Post Production
Introduction (5:36)
Masterclass: Post Production Techniques (18:18)
Masterclass: Hybrasil Track Deconstruction (15:09)
Elevator Interview: Robert Hood's Minimal Nation (20:55)
Assignment
Week 20: Mixing 101 - Placement, Balance & Panorama
Welcome to Mixing 101 (0:53)
Introduction to Mixing (3:26)
Mixing Theory: 6 Key Elements in a Mix (1:47)
Mixing Theory: Balance & Placement (4:06)
Masterclass: Balancing Your Mix (2:59)
Masterclass: Placement (14:39)
Mixing Theory: Panorama (2:15)
Masterclass: Panorama (9:42)
Assignment
Week 21: Mixing 101 - Frequency & EQ
Introduction to Frequency & EQ (1:07)
Mixing Theory: EQ Goals (2:43)
Mixing Theory: Magic Frequencies (3:50)
Masterclass: EQ (26:11)
Recommended Reading: The Mixing Engineers Handbook by Bobby Owsinski
Assignment
Week 22: Mixing 101 - Compression, Reverbs & Delays
Introduction to Dynamics & Compression (1:24)
Masterclass: Compression & Gating (17:58)
Mixing Theory: Dimension (3:35)
Mixing Theory: Tips for Reverbs & Delays (3:07)
Mixing Theory: Reverb types & parameters
Masterclass: Drum Reverb (4:02)
Masterclass: Reverb Continued (6:48)
Masterclass: Delay (7:28)
Assignment
Week 23: Mastering
Mixing Theory: Interest & the Key to a Great Mix (1:34)
Mixing Theory: Mixing Philosopy (1:49)
Masterclass: Preparing for Mastering (27:03)
Introduction to Mastering (1:10)
Masterclass: Mastering 101 (30:51)
Rendering Mastered Audio (1:16)
Assignment
Week 24: Strategic Industry Guidelines
Strategic Industry Guidelines by Conor Russell
Artist Business Set Up
Setting up a Label
Artist Publishing
Label & Artist Contracts
Social Media Guidelines
Release Your Music with the Elevator Program Label
Closing Comments with Will Kinsella (2:14)
Recommended Reading: The Mixing Engineers Handbook by Bobby Owsinski
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